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PRABHAT KUMAR MUKHOPADDHAY (1873 - 1932)
Prabhat Kumar had genuinely acquired mass appeal as a writer. He became equally popular among the elites and the masses by composing humorous stories as well as refined and tragic short stories.

He was patronized by Rabindranath Tagore. At the inception, he started composing poetry. But under the able guidance of Rabindranath, he came to realize that composing short stories was his cup of tea. He had composed 14 novels en masse. 'Rama Sundari' (1908), 'Nabeen Sanyasi' (1912), 'Ratna Dwip' (1915), 'Jeeboner Mulya' (1917), 'Moner Manush' (1922), 'Sukher Milan' (1927), 'Satir Pati' (1928), 'Pratima' (1929) etc. are some of his famous novels. Some of these novels had gained immense popularity among the masses. To assess him in a nutshell, we can say that his novels draw the readers with a magnetic attraction but do no compel the readers to mull over them as in Rabindranath's or Sharat Chandra's novels.

He was also adept in writing short stories. In fact, he was more inclined to writing short stories than voluminous novels. Almost 114 short stories of Prabhat Kumar were published at different times in different collections viz. 'Naba Katha' (1899), 'Deshi O Bilati' (1909), 'Gahaner Baksha' (1921) etc. He had authored several short stories on tragic and amorous themes. These stories fascinate the readers irrespective of time, age, sex, caste or religion. 

SARAT CHANDRA CHATTOPADDHAY (1878 - 1938)
Sarat Chandra's first printed novel 'Baro Didi' was published in 1913. His last novel 'Bipradas' was published in 1935. Within a span of twenty two years, he had composed 30 novels and gave a glorious collection of short stories to Bengali literature. After his demise, 'Subhoda' (1938) and 'Sesher Parichay' (1939) were published. He passed away keeping the latter as incomplete. He had dramatized some of his novels himself viz. 'Shorashi' (1928), 'Rama' (1928), 'Biraj Bau' (1934), 'Bijaya' (1935) etc. Apart from these, many of his essays were also published. Recently, some letters written by him have been published as well. 

Sarat Chandra sincerely believed that novels were the most appropriate form of expressive art. The form or texture of modern Bengali novels have changed immensely from time to time. But Sarat Chandra's popularity has not diminished a bit among the Bengali readers. To be precise, none other than Sarat Chandra has written so lively and pictorial novels sousing them in the sea of every day human emotions, sentiments, ecstasies and poignant pathos. Any reader, irrespective of age, caste, sex or community feels a sense of oneness with his novels. Even Rabindranath Tagore was partially eclipsed as a novelist in comparison with Sarat Chandra's charm and appeal.

Some of his unique books are enlisted below :

'Bindur Chele' (1914), 'Parineeta' (1914), 'Pandit Mashai' (1917), 'Mejo Didi' (1915), 'Palli Samaj' (1916), 'Baikunther Will' (1915), 'Arakshanya' (1916), 'Griha Daha' (1920), 'Srikanta' (1st - 1917, 2nd - 1918, 3rd - 1927, 4th - 1933), 'Dena Paona' (1923), 'Shesh Prashna' (1931).





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INTRODUCTION

MODERN ERA IN BENGALI LITERATURE

THE ORIGIN AND GROWTH OF LYRIC POETRY

NOVELS AND ESSAYS

RABINDRA ERA

OTHER CONTEMPORARY POETS

NOVELS AND SHORT STORIES DURING THE TIME OF RABINDRANATH

THE CONTEMPORARY NOVELISTS OF SARAT CHANDRA

ESSAY

THE POST-RABINDRANATH ERA IN BENGALI LITERATURE

CONTEMPORARY MODERN BENGALI POETRY